音乐与芭蕾——中国爱乐乐团2022新年音乐会

  • 2021年12月31日 星期五 19:30
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音乐与芭蕾——中国爱乐乐团2022新年音乐会

Music Meets Ballet: 2022 New Year’s Concert


彼得·伊里奇·柴可夫斯基:波罗乃兹舞曲,选自《尤金·奥涅金》

编导:徐刚

表演:中央芭蕾舞团


彼得·伊里奇·柴可夫斯基:天鹅湖,作品20(选段)

一、圆舞曲

二、小天鹅之舞

编导:马里乌斯·彼季帕、列夫·伊凡诺夫

表演:中央芭蕾舞团


彼得·伊里奇·柴可夫斯基:花之圆舞曲,选自《胡桃夹子》

“瓷器舞”

编导:冯英

表演者:中央芭蕾舞团


小约翰·施特劳斯:春之声圆舞曲,作品410


德米特里·肖斯塔科维奇:第二圆舞曲,选自为混编乐队所作的组曲

编导:徐刚

表演者:中央芭蕾舞团


弗雷德里克·肖邦:平稳的行板与辉煌的大波罗乃兹舞曲,作品22

钢琴:印芝


刘炽(词:乔羽 配器:邹野):我的祖国,电影《上甘岭》插曲


吴祖强、杜鸣心、王燕樵、施万春、戴宏威:芭蕾舞剧《红色娘子军》组曲

一、序曲

二、赤卫队员五寸刀舞

三、女战士和炊事班长的舞蹈

四、乡亲们慰问红军

选自中国芭蕾舞剧《红色娘子军》(根据梁信同名电影文学剧本集体改编)

编导:李承祥、蒋祖慧、王希贤

作曲:吴祖强、杜鸣心、戴宏威、施万春、王燕樵

主题歌《娘子军连歌》作曲:黄准

舞美设计:马运洪

灯光设计:梁红洲 

表演者:中央芭蕾舞团


乔治·比才:《阿莱城的姑娘》组曲(选段)

一、前奏曲

二、法兰多尔舞曲


乔治·比才:《卡门》第一组曲(选段)

一、前奏曲

二、阿拉贡舞曲

三、间奏曲

四、斗牛士之歌


小约翰·施特劳斯:蓝色多瑙河圆舞曲,作品314

编导:徐刚

表演者:中央芭蕾舞团


伊戈尔·斯特拉文斯基:火鸟组曲(选段)


钢琴:印芝

中央音乐学院青年教师,美国波士顿大学钢琴演奏博士,美国最高荣誉音乐协会Pi Kappa Lambda终身会员。出生于江苏常州,六岁开始学习钢琴,十五岁前往俄罗斯格涅辛音乐学院附中学习。三年后考取世界顶尖音乐学府莫斯科国立柴科夫斯基音乐学院,于2010年以全优成绩毕业,取得钢琴表演、室内乐、声乐艺术指导和教育学四个专业的硕士学位文凭, 并获得前俄罗斯文化部部长,现任莫斯科音乐学院院长Alexander Sokolov亲自颁发的金质纪念勋章。2011年,印芝赴美国继续深造,先后在约翰霍普金斯大学皮博蒂音乐学院和波士顿大学取得演奏家文凭以及音乐艺术博士学位。

印芝先后师从于中央音乐学院钢琴系主任吴迎教授,俄罗斯钢琴大师Naum Shtarkman, Arkady Sevidov, Boris Slutsky以及Pavel Nersessian。她曾在华盛顿国际青年艺术家 比赛,巴尔的摩Harrison Winter协奏曲比赛,西班牙Campillios国际钢琴比赛, 乌克兰“21世 纪钢琴艺术”国际比赛以及俄罗斯巴拉基列夫国际钢琴比赛中获奖。

印芝的演出足迹遍布美国,中国和欧洲。她曾在多个著名剧院和音乐厅演出,包括莫 斯科音乐学院音乐厅、莫斯科爱乐协会音乐厅、美国国务院 Dean Acheson 礼堂、华盛顿俄 罗斯文化艺术中心、北京中山音乐堂、上海东方艺术中心、广州星海音乐厅、长沙音乐厅、 杭州大剧院、厦门嘉庚剧院等。在 2017 年演出季中,印芝作为独奏艺术家与杭州爱乐乐团 和山西省交响乐团合作演出,并且作为唯一受邀的亚洲音乐家在波多黎各庞塞音乐节举行独 奏和室内乐音乐会。2018 年 7 月,她与德国卡塞尔市路易斯·施波尔管弦乐团合作,在中 国九个城市进行巡演。2019 年 4 月,印芝在上海之春国际音乐节成功举办独奏音乐会。同年 7 月,印芝在德国柏林录制的首张个人独奏专辑《柴科夫斯基》由广州星外星音乐公司发行 ,实体版和数字版在海内外同步上线。2020-2021 演出季,以纪念柴可夫斯基诞辰 180 周年 为主题,印芝在中国举行了 12 场独奏音乐会的巡演。


中央芭蕾舞团

中央芭蕾舞团(又:中国国家芭蕾舞团)成立于1959年12月。演职员均由专业院校培养的一流艺术人才汇集而成。在社会各界的关心支持下,剧团在俄罗斯学派的坚实基础之上,不断汲取各不同流派不同风格之特长,在引进排演了《天鹅湖》《堂·吉诃德》《吉赛尔》《卡门》《奥涅金》《火鸟》《小美人鱼》《舞姬》《灰姑娘》《珠宝》等大量的世界经典名作外,自创了《红色娘子军》《祝福》《黄河》《大红灯笼高高挂》《牡丹亭》《过年》《鹤魂》《敦煌》《九色鹿》等一大批极具鲜明民族特色的精品佳作,成功探索出一条古典与现代、民族与世界完美融合的中国芭蕾艺术发展创作之路。

60多年来,剧团在人才培养、剧目积累以及芭蕾普及教育等方面也取得骄人成绩,其中不乏芭蕾、音乐、舞美等艺术家显身于各类国际专业比赛领奖台和世界明星行列之中。中外保留剧目200余部,有些剧目已被列为中国艺术经典和国际文化品牌。

作为具有广泛国际影响力的知名剧团,中央芭蕾舞团一方面作为对外文化交流的使者和彰显中华人文情怀的窗口发挥着重要作用,另一方面为国内展示更高水准演绎和更好艺术普及“走进校园”、“走进社区”、“走进少年儿童”并重的目标积极努力。剧团正以昂扬的姿态秉承“团结、务实、自强、拼搏”的精神,为实现心中的百年梦想,沿着前辈执着奉献的足迹,不断阔步前行。现任团长、艺术总监冯英。


指挥:黄屹

当今国际古典乐坛备受瞩目的著名青年指挥家,现任中国爱乐乐团常任指挥,中央芭蕾舞团交响乐团首席指挥,昆明聂耳交响乐团艺术总监兼首席指挥。

2006年,黄屹以优异的成绩考入中央音乐学院指挥系,师从杨力教授,2007年起师从中央音乐学院院长,著名指挥家俞峰教授。

2009年,经世界著名指挥大师小泽征尔的亲自选拔,成为其助理指挥。

2010年,以优异的成绩被中央音乐学院指挥系保送继续研究生学习。

2011年,以专业第一名考入德国柏林音乐学院(Hochschule für Musik "Hanns Eisler"),师从交响乐教授克里斯蒂安·艾华德(Christian Ehwald)及歌剧教授汉斯迪特·鲍姆( Hans-Dieter Baum )。

2012年,经著名指挥大师余隆的大力推荐,执棒中国爱乐乐团,在第15届北京国际音乐节成功上演出歌剧《原野》,完成职业生涯的歌剧首秀。

2013年,作为世界著名指挥家克里斯蒂安·蒂勒曼(Christian Thielemann)的助理指挥,参与萨尔茨堡复活节音乐节歌剧《帕西法尔》的排练及演出。同年,作为指挥家古斯塔夫·库恩(Gustav Kuhn)的助理指挥,参与排练及演出了第16届北京国际音乐节闭幕音乐会——瓦格纳歌剧《帕西法尔》的中国首演。

2015年,执棒上海交响乐团演出上海夏季音乐节闭幕音乐会,成功完成了《乒乓协奏曲》世界首演。同年,出任中国爱乐乐团助理指挥并受聘担任中央音乐学院指挥系教师。

2016年,出任昆明聂耳交响乐团艺术总监兼首席指挥。

2017年,应邀担任柏林音乐学院(Hochschule für Musik "Hanns Eisler")指挥系助教。

2018年,签约世界著名古典音乐经纪公司Askonas Holt。

2019年,执棒2019中央电视台新年音乐会,并出任中国爱乐乐团常任指挥及中央芭蕾舞团交响乐团首席指挥。

黄屹近年成功执棒德国柏林音乐厅管弦乐团、德国法兰克福交响乐团、德国勃兰登堡交响乐团、德国新勃兰登堡交响乐团、小泽征尔音乐塾管弦乐团、韩国釜山爱乐乐团、中央歌剧院交响乐团、中国歌剧舞剧院交响乐团、香港管弦乐团、上海交响乐团、广州交响乐团、深圳交响乐团、杭州爱乐乐团、贵阳交响乐团、青岛交响乐团、陕西爱乐乐团、福建歌舞剧院交响乐团、中国青年交响乐团、澳门青年交响乐团、中国少年交响乐团、中国广播电影乐团等。与歌唱家戴玉强、廖昌永、魏松、莫华伦、张立萍、袁晨野、梁宁、张建一、沈洋、王传越、宋元明等;演奏家吕思清、宁峰、秦立巍、张昊辰、奥斯丁·杜梅、艾丽森·巴尔松、安德烈·奥腾萨默、黄蒙拉、文薇、王之炅、杨雪霏等成功合作。


Pyotr Ilyich TCHAIKOVSKY: Polonaise, from Eugene Onegin

XU Gang, choreography

National Ballet of China


Pyotr Ilyich TCHAIKOVSKY: Swan Lake, Op. 20 (excerpts)

I. Waltz: Tempo di valse 

II. Danse des petits cygnes

Marius PETIPA & Lev IVANOV, choreography

National Ballet of China


Pyotr Ilyich TCHAIKOVSKY: Waltz of the Flowers, from the Nutcrackers

“Dance of Porcelain”

FENG Ying, choreography

National Ballet of China


Johann STRAUSS II: Frühlingsstimmen, Op. 410


Dmitri SHOSTAKOVICH: Waltz 2, from Suite for Variety Orchestra


Frédéric CHOPIN: Andante spianato et grande polonaise brillante in E-flat major, Op. 22

YIN Zhi, piano


LIU Chi (QIAO Yu, libretto/ZOU Ye, arr.): My Motherland, from Battle on Shangganling Mountain


WU Zuqiang, DU Mingxin, WANG Yanqiao, SHI Wanchun & DAI Hongwei: Suite from ballet “Red Detachment of Women”

I. Prelude

III. Five-inch dagger dance of the Red Guards

IV. Dance of five female soldiers and the head cook

V. Villagers salute the Red Army

From Chinese ballet “Red Detachment of Women”, a collective adaption based on LIANG Xin’s film script with the same title

LI Chengxiang, JIANG Zuhui & WANG Xixian, direction

WU Zuqiang, DU Mingxin, WANG Yanqiao, SHI Wanchun & DAI Hongwei, music

Theme Song “Song of the Women’s Detachment” composed by HUANG Zhun

MA Yunhong, choreography

LIANG Hongzhou, lighting

National Ballet of China


Georges BIZET: L'Arlésienne Suites (excerpts)

I. Prélude 

II. Farandole


Georges BIZET: Carmen Suite No. 1 (excerpts)

I. Prélude 

II. Aragonaise 

III. Intermezzo 

IV. Les Toréadors


Johann STRAUSS II: An der schönen, blauen Donau, Op. 314

XU Gang, choreography

National Ballet of China


Igor STRAVINSKY: The Firebird (excerpts)


YIN Zhi, piano

Pianist Zhi Yin was born in China, and began playing piano at the age of six. She went to Russia in 2002. Firstly studied at Russian Gnessin Music School, and then entered into Moscow Tchaikovsky Conservatory in 2005, where she graduated with highest honors in 2010. In 2011, Zhi moved to the United States and went on study at Peabody Conservatory of the Johns Hopkins University for the Graduate Performance Diploma. In 2018, Zhi received her Doctor of Musical Arts degree at Boston University, where she also worked as the teaching assistant of the piano department. During Zhi’s growth as a musician, she was accompanied and guided by renowned pianists Pavel Nersessian, Boris Slutsky, Naum Shtarkman, Arkady Sevidov and Ying Wu. Other influences include Jerome Lowenthal, Alexander Kobrin, Nikolai Demidenko, and John Perry.

Zhi has performed as a soloist and chamber musician throughout the United States, China and Europe. She has made appearance at numerous venues, including Small Hall and Rachmaninoff Hall of Moscow Conservatory, Chamber Hall of Moscow Philharmonic, Dean Acheson Hall of US Department of State, Russian Culture Center in Washington D.C. , Beijing Forbidden City Concert Hall, Shanghai Oriental Art Center, Guangzhou Xinghai Concert Hall, Hangzhou Grand Theatre and many others. In 2017, Zhi has worked with Hangzhou Philharmonic Orchestra and Shanxi Symphony Orchestra as a guest soloist. And she was invited to perform at the annual Ponce International Music Festival in Puerto Rico. In 2018, she played a concert tour in nine cities in China with German Kassel Chamber Orchestra Louis Spohr. Her performances in 2019 included a solo recital at the famous Shanghai Spring International Music Festival. And in the same year, Zhi has released her first album <Tchaikovsky> with Guangzhou Starsing Music Company. In 2020-2021 season, Zhi has played a tour of twelve recitals in China commemorating the 180th birthday of Tchaikovsky. 

Zhi was awarded major prizes at the International Young Artist Piano Competition in Washington D.C., the Harrison Winter Concerto Competition in Baltimore, the Campillos International Piano Competition in Spain, the International Competition “XXI CENTURY ART” in Ukraine and the Balakirev International Piano Competition in Russia.

Zhi is currently teaching at the Central Conservatory of Music in Beijing. 


National Ballet of China

National Ballet of China was founded in December of 1959. All of National Ballet of China's outstanding artists come from professional academies. During decades of care and support from the government and friends from all social sectors, the company has never ceased enriching its solid Russian foundations with works of different schools and styles. The company's repertoire includes classics like Swan Lake, Don Quixote, Giselle, Carmen, Onegin, Firebird, The Little Mermaid, La Bayadère, Cinderella and Jewels as well as original creations like The Red Detachment of Women, The New Year Sacrifice, Yellow River, Raise the Red Lantern, The Peony Pavilion, Chinese New Year (The Nutcracker Chinese Version), The Crane Calling, The Light of Heart andThe Nine-Colored Deer. By both performing Western ballets and creating works of its own with distinct national characteristics, the company has found a successful path for the development of Chinese ballet. It is fusing the classical and the modern, and cultures from all over the world.

For more than 60 years, the company is proud to have made great achievements in talent training and stage productions, as well as in ballet promotion and education. Numerous ballet dancers, choreographers, musicians and stage artists have won major international awards, and have collaborated with international stars in their respective fields. The company has a repertoire of more than 200 ballets, several of which are now known as classic Chinese works of art, and have become famous internationally.

As a world-renowned company with great international influence, the National Ballet of China serves as a cultural envoy and an important window to the nation, spreading the essence of Chinese culture. Meanwhile, it also endeavors to present high-class performances to the Chinese audience, and to promote the art form in universities, communities and among children. In accordance with their motto "United, Pragmatic, Independent, and Enterprising", the company members are following the steps of their hard-working predecessors to make great strides in realization of their dreams. Currently, Feng Ying, a well-known ballerina and ballet mistress in China is the Executive Director and the Artistic Director.


HUANG Yi, conductor

As one of the most exciting Chinese conductors in the world, Mr. Huang Yi

is currently the Principal Conductor of the China Philharmonic Orchestra, the Chief Conductor of National Ballet of China Symphony Orchestra and the Artistic Director and Chief Conductor of Kunming Nie’er Symphony Orchestra. 

Huang Yi was born in 1986 into a family of musicians in Beijing. Musical education in his early childhood came from his father Huang He, a famous music professor, and he later studied at the Central Conservatory with Prof. Yang Li and Yu Feng. After graduation with a top-level grades from bachelor study, as a student recommended for admission, Huang Yi continued his graduate study in the Central Conservatory of Music. From 2011, he continued his study at the Hochschule für Musik "Hanns Eis-ler" Berlin with Prof. Christian Ehwald and Prof. Hans-Dieter Baum. Outstanding music talents and excellent educational background make Huang Yi a rising star in classic music stage. 

Huang Yi’s career started in 2009 as Maestro Seiji Ozawa’s assistant conductor. In the year of 2012, he was recommended by Maestro Long Yu and made his opera debut conducting the China Philharmonic Orchestra at the 15th Beijing Music Festi-val’s new production of Chinese opera The Savage Land. In 2013, as the assistant conductor of Maestro Christian Thielemann, Huang Yi participated in rehearsing and conducting Parsifal at the Salzburg Easter Festival. In the same year, he assisted Maestro Gustav Kuhn in rehearsing and conducting Parsifal’s Chinese premiere at the 16th Beijing Music Festival. Two years later, Huang Yi conducting Shanghai Sym-phony Orchestra performed successfully Ping Pang Concerto’s world premiere in MISA’s closing concert. 

Huang Yi becomes the assistant conductor of the China Philharmonic Orchestra since 2015, meanwhile joining the conducting faculty of China’s Central Conservatory of Music. In the next year, he became the Artistic director and Chief Conductor of Kun-ming Nie’er Symphony Orchestra. He was soon invited to be assistant professor at Hochschule für Musik "Hanns Eisler” Berlin. Huang Yi is the Principle Conductor of the China Philharmonic Orchestra and the Chief Conductor of National Ballet of Chi-na Symphony Orchestra since January of 2019. 

Mr. Huang has successfully conducted Konzerthausorchester Berlin, Frankfurt Sym-phony Orchestra, Brandenburg Symphony Orchestra, New Brandenburg Symphony Orchestra, Seiji Ozawa Ongaku-Juku Symphony Orchestra, Busan Philharmonic Or-chestra of Korea, China Central Opera House Symphony Orchestra,China National Opera and Dance Drama Theater Symphony Orchestra, Hong Kong Philharmonic Or-chestra, Shanghai Symphony Orchestra, Guangzhou Symphony Orchestra, Shenzhen Symphony Orchestra, Hangzhou Philharmonic Orchestra, Guiyang Symphony Or-chestra,Qingdao Symphony Orchestra, Shaanxi Philharmonic Orchestra, Fujian Opera and Dance Drama Theater Symphony Orchestra, China Youth Symphony Orchestra, Macao Youth Symphony Orchestra,China Juvenile Symphony Orchestra, China Film Symphony Orchestra, etc. He has collaborated with numerous distinguished soloists including Yuqiang Dai, Changyong Liao, Song Wei, Warren Mok, Liping Zhang, Chenye Yuan, Ning Liang, Jianyi Zhang, Shen Yang, Chuanyue Wang,Yuanming Song,etc. Soloist Augustin Dumay, Alison Balsom, Andreas Ottensamer, Ning Feng, Siqing Lv, Liwei Qin,Haochen Zhang, Mengla Huang,Wei Wen, ZhiJong Wang and Xuefei Yang.

Askonas Holt is Huang Yi’s global management.