交响音乐会

  • 2018年05月26日 星期六 19:30
  • 购票指南中山公园音乐堂

导赏:列夫·赛格斯塔姆是我们这个时代重要的西贝柳斯演绎权威。他1944年出生于芬兰,在芬兰完成音乐启蒙,可以说是血液中流淌着西贝柳斯音乐的当代大师。进入职业生涯之后,赛格斯塔姆指挥过欧洲大部分重要乐团和歌剧院,也与芬兰的权威团体如赫尔辛基爱乐乐团、图尔库爱乐乐团建立了长期的合作关系。赛格斯塔姆指挥的西贝柳斯唱片一直受到音乐爱好者青睐,而这场中国爱乐乐团的音乐会则可以让乐迷们现场感受大师与中国顶级乐团合作演绎西贝柳斯的魅力。音乐会的另一个亮点是小提琴独奏杨天娲,这位当年的音乐神童已经成长为成熟的小提琴家,在欧洲广为人知。在西贝柳斯这首情感丰富的小提琴协奏曲中,赛格斯塔姆大师、杨天娲和中国爱乐乐团能够碰撞出怎样的火花,值得期待。(张光楹


 


交响音乐会



让·西贝柳斯:D小调小提琴协奏曲,作品47

让·西贝柳斯:降E大调第五交响曲,作品82



小提琴:杨天娲

指挥:列夫·赛格斯塔姆


小提琴:杨天娲

杨天娲是著名的德国回声古典唱片大奖2014年最佳新人奖获得者,同时她也是2014年德国唱片评论奖获奖者,获奖唱片是由她录制的门德尔松《小提琴协奏曲》和萨拉萨蒂小提琴作品全集。她被《美国唱片指南》誉为 “无懈可击的小提琴大师”;被《号角》杂志赞誉为“超越她的所有对手”,《底特律新闻报》称她是“我们这个时代最重要的小提琴家新秀”。杨天娲正在成为当今一流的国际小提琴家和录音艺术家;杨天娲近年穿梭世界各地演出及录制唱片,好评如潮。

与杨天娲频繁合作乐团的包括美国顶尖的底特律、西雅图、巴尔的摩、纳什维尔、堪萨斯城、太平洋、托雷多;德国的德国SWR西南广播交响乐团、中德莱比锡广播交响乐团、巴伐利亚国家歌剧院交响乐团、德国广播爱乐;法国里尔国家交响乐团、斯特拉斯堡爱乐;英国皇家爱乐乐团、BBC爱乐、皇家利物浦爱乐;新西兰国家交响乐团;香港小交响乐团、香港管弦乐;马来西亚、水牛城、厄尔福特、华沙爱乐乐团等。她合作过的指挥家有马克·阿尔布莱希特、安德里亚斯·德尔福斯、乔安·法莱塔、强卡洛·古埃雷罗、君特·赫比希、雅尔·莱维、卡洛斯·米盖尔·普里埃托、杰拉德·施瓦茨、瓦西里·辛奈斯基,等等。此外,杨天娲还在如下重要的音乐节和音乐厅演出:拉维尼亚音乐节、弗吉尼亚艺术节、史威兹根城堡音乐节、伦敦的维格墨音乐厅、巴黎的普雷耶尔音乐厅、纽约玫瑰剧院和林肯中心、莱比锡的格万特豪斯音乐厅。她曾在多个欧洲国家广播电台举办现场直播的独奏音乐会,包括斯图加特西南德广播电台从史威兹根城堡音乐节、德国广播电台从柏林爱乐音乐厅、法国电台从蒙彼利埃音乐节直播的音乐会。

杨天娲是广受好评的录音艺术家,至今,杨天娲为拿索斯(NAXOS)唱片公司已经录制了近20张唱片,曲目包括从巴洛克时期的维瓦尔弟作品到沃尔夫冈·里姆的现代派作品。最新录制的唱片是与德国SWR西南广播交响乐团录制的卡斯特努沃-滕德斯科的小提琴协奏曲,以及尤金·伊萨伊的独奏作品全集。因她录制的门德尔松小提琴协奏曲专辑,她被“国际音乐网”称为“新世纪最佳小提琴新人之一”。她录制的萨拉萨蒂小提琴作品全集共有八张CD,《今日古典》的大卫·赫维茨称她为“感人至深的天才小提琴家”, 美国《弦乐》杂志评论她具有“令人惊叹,不费吹灰之力的精湛技艺”,该唱片获得了法国金音叉唱片大奖、美国“古典音乐网”的“全年度最优秀唱片”,卢森堡“年度唱片最佳选择”等多个奖项。被法国乐评惊赞为“无可挑剔、无法超越的演奏,堪与海菲兹大师媲美”,2012年底,沃尔夫冈·里姆的小提琴钢琴作品全集出版,她还与纳什维尔交响乐团录制了皮亚佐拉的《四季》,以及与自己的室内乐团录制了维瓦尔第的皮亚佐拉和《八季》。

杨天娲不断在欧洲、澳洲、亚洲和北美取得成功。最近,他与赫尔辛基爱乐、伦敦皇家爱乐,以及埃德蒙顿交响乐团合作。这是在她2012年随香港小交响乐团在温哥华、多伦多、蒙特利尔、卡尔加里巡演之后,与加拿大乐团的首演。在2012年的同一次巡演中,杨天娲还在纽约的玫瑰剧院进行了纽约首演。未来的演出包括与伦敦爱乐、佛罗里达交响乐团、温哥华和温尼伯交响乐团,以及与德国科隆爱乐乐团的演出。

杨天娲生长在北京,四岁从师林丁丁老师,五岁起在国内比赛包揽金奖,十岁时拜师林耀基教授,十一岁起开始受邀与国内外各大交响乐团合作演出。指挥家小泽征尔授予她“明日之星”称号,艾萨克-斯特恩(Isaac Stern)欣赏完她的表演后即刻发出到美国的邀请。香港媒体称她为“华人的骄傲”。

杨天娲13岁时打破世界纪录,成为迄今音乐史上灌录帕格尼尼《二十四首随想曲全集》唱片的年纪最小演奏家。她2003年获得“德意志文化交流基金会(DAAD)”特别奖学金赴德国学习,2006年获“德国万宝龙杰出青年音乐家大奖”(Prix Mont Blanc),成为得到该奖项的第一位中国人。她还是2014年德国回声唱片大奖最佳新人奖获得者。目前,她是瑞士伯尔尼艺术大学小提琴教授。杨天娲现生活在德国。

音乐成长路上,杨天娲诚挚感谢林耀基教授,约尔格-沃尔夫冈·雅恩(Jörg-Wolfgang Jahn) 教授以及巴洛克音乐专家安纳尔·比尔斯玛(Anner Bylsma)的精心培养。

杨天娲演奏一把“瓜奈利·德尔·吉苏 1730”名琴,由新加坡的林启明夫妇慷慨提供。


Jean Sibelius: Violin Concerto in D minor, Op.47

Jean Sibelius: Symphony No.5 in E-flat major, Op.82



Tianwa Yang, violin

Leif Segerstam, conductor


Tianwa Yang, violin

Winner of the prestigious ECHO Klassik Best Up-and-Coming Artist Award 2014 and the Annual Prize of the German Record Critics 2014 for her Naxos recordings of the Mendelssohn Violin Concertos and Complete Music for Violin by Sarasate, Tianwa Yang is referred to as “an unquestioned master of the violin”  by American Record Guide who “rises above her competition” (Fanfare), while quickly establishing  herself as a leading international performer and recording artist.  The young violinist, a resident of Germany and heralded by the Detroit News as “the most important violinist to come on the scene in many a year,” has debuted with such major orchestras as the Detroit, Seattle, Baltimore, Nashville, Kansas City, Pacific, Toledo, SWR Baden Baden Freiburg, and New Zealand Symphonies, in addition to the MDR Sinfonieorchester-Leipzig, Bayerisches Staatsorchester, Orchestre National d'Île de France, Orchestre Philharmonique de Strasbourg, Hong Kong Sinfonietta and the Hong Kong, Malaysia, Buffalo, BBC, Deutsche Radio, Erfurt, Warsaw and Royal Liverpool Philharmonics.  Ms. Yang has performed under the baton of renowned conductors Marc Albrecht, Andreas Delfs, JoAnn Falletta, Giancarlo Guerrero , Günther Herbig, Yoel Levi, Carlos Miguel Prieto, Gerard Schwarz, Vassily Sinaisky amongst others. Other international engagements include those at the Ravinia Festival, Virginia Arts Festival, Schwetzinger Festival, London’s Wigmore Hall, Paris’ Salle Pleyel, New York’s Rose Theater, Lincoln Center, and Leipzig’s Gewandhaus. Ms. Yang has also given live concert broadcasts from the Schwetzingen Festival, broadcast by the SWR Stuttgart; from the Berlin Philharmonic Hall, broadcast by Deutschlandradio; and from the Montpellier Festival, broadcast by Radio France.

As a critically acclaimed recording artist for Naxos, Ms. Yang most recently released the Violin Concertos by Castelnuovo-Tedesco recorded with the SWR Sinfonieorchester Baden-Baden und Freiburg and the complete Solo Sonatas by Eugene Ysaye which immediately won several awards. Her Mendelssohn Violin Concertos album earned her the title “one of the best new violinists of the new century” by Musicweb-International. Of her previously released recordings of Pablo de Sarasate’s complete works for violin as an eight disc set, David Hurwitz of Classics Today calls Ms. Yang a “sensationally talented violinist,” while All Things Strings speaks of her “stunning effortless virtuosity” and “uncanny affinity for Spanish music “. The Complete works for violin and piano by Wolfgang Rihm was released in late 2012, and she has also recorded Piazzolla’s Las 4 Estaciones Porteñas with the Nashville Symphony Orchestra and the Vivaldi/Piazzolla Eight Seasons performed with her own ensemble. 

Ms. Yang continues to build her growing reputation in concert halls across Europe, Australasia and North America.  Most recently, she debuted with the Helsinki Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Edmonton Symphony adding this Canadian orchestra to her 2012 Canadian debut performances in Vancouver, Toronto, Montreal, Calgary with the Hong Kong Sinfonietta. She debuted in New York’s Rose Theater as part of that same 2012 tour. Upcoming debuts include those with the London Philharmonic Orchestra, The Florida Orchestra, the Vancouver and Winnipeg Symphonies, and Guerzenich Orchestra, Cologne.

Raised in the Chinese capital city, Ms. Yang began studying violin at the age of four.  Demonstrating unquestionable ability, Ms. Yang won six competitions as a young child.  At the age of ten she was accepted to study at the Central Conservatory of Music in Beijing as a student of Lin Yaoji.  Within one year, Hong Kong media described the young artist as “A Pride of China.”  Ms. Yang recorded the 24 Paganini Caprices at the age of thirteen, making her the youngest artist to release the works.  In 2003 Ms. Yang was awarded a scholarship by the German Academic Exchange Service to study chamber music in Germany, marking the beginning of her European career. 

Ms. Yang has won several awards during her career including the Volkswagen Foundation prize “Star of Tomorrow” by Seiji Ozawa and the 2006 “Prix Montblanc.” She is the recipient of the much coveted ECHO Klassik Award for Best Up-and-Coming Artist 2014. She is Professor of Violin at the University of the Arts, Bern, Switzerland and is grateful to Lin Yaoji, Jörg-Wolfgang Jahn and Anner Bylsma for the musical insight and support they have offered throughout her career. 

She performs on a Guarneri del Gesu (1730) on kind loan from Mr. Kei Mei Rin in Singapore.


Leif Segerstam, conductor

“I have rarely heard the BBCSO perform Bruckner so well since the days of Günter Wand. Right from the very opening, at a simple gesture from Leif Segerstam, a closed fist suddenly opened, pianissimo string tremolo and horns came in precisely together. This is so rare, as the horns usually take a moment to sound and the opening can often be ragged. And then, after the statement of the theme in the bass, the oboe comments with a falling phrase, encouraged by Segerstam with open arms to expand its expressive potential towards the deepest of tragic laments, and it was apparent that this performance would endow its encounter with this music with widest spectrum of profound emotion.”

Bruckner’s 8th Symphony / BBC Symphony Orchestra, London – reviewer Ken Ward: Backtrack, 1st March 2015

Leif Segerstam is recognised internationally. Born in 1944, he is one of the most versatile and interesting musical talents from the Nordic countries, studying violin, piano, composition and conducting at the Sibelius Academy in Helsinki before taking a post-graduate course at New York’s Juilliard School of Music. He is Chief Conductor Emeritus of the Helsinki Philharmonic Orchestra in gratitude for his supremely successful 12-year period as Chief Conductor and holds honorary titles with Malmö Opera, the Danish National Radio Symphony Orchestra and Staatsphilharmonie Rheinland-Pfalz in Germany following extremely notable periods as chief conductor with both orchestras, too. He has also held positions as Chief Conductor of the Austrian Radio Symphony Orchestra and Finnish Radio Symphony Orchestra as well as Music Director and Chief Conductor of the Royal Swedish Opera, later also re-appointed as Chief Conductor, and Director of Finnish National Opera.  He is currently chief conductor of the Turku Philharmonic Orchestra. Amongst many others he conducts at Wiener Staatsoper, the Chicago Symphony, Los Angeles Philharmonic, Toronto Symphony, Detroit Symphony, NHK Symphony Orchestra, in London with the Philharmonia, London Symphony and BBC Symphony orchestras, St Petersburg Philharmonic Orchestra, Melbourne Symphony Orchestra and he is one of the most important ambassadors for Sibelius’s 2015 anniversary year.

Leif Segerstam began his conducting career in the opera houses of Helsinki, Stockholm and Berlin with guest appearances that have included the Metropolitan New York, La Scala, Covent Garden, Teatro Colon, Cologne, Geneva, Hamburg, Munich, the Salzburg Festival and a frequent conductor at the Savolinna Festival.  In recent seasons he has often conducted at the Wiener Staatsoper in “Salome” (“Strauss’s exotic score, whilst laden with full blooded crescendos, also contains moments of purity and subtlety, which Leif Segerstam expressed without sacrificing the quest for dramatic intensity. Fortissimos were terrifying, and Jochanaan’s prophetic passages were moments of hypnotic beauty.” Andrew Gosling - Classical Source, 7th June 2010) and “Lohengrin”, also Britten’s “Peter Grimes” at Vlaamse Oper, “Der Rosenkavalier” for Bayerische Staatsoper and “La Bohème” in Helsinki. In Malmö he has, or will, conduct Parsifal, Zauberflöte, La Wally, Manon, Der Rosenkavalier, Aida and Tannhäuser.

Leif Segerstam’s many recordings are recognised by critics and public alike as outstanding amongst modern interpretations. As well as works by contemporary composers his CDs include the complete symphonies of Mahler, Sibelius and Nielsen with the Danish National Radio Symphony Orchestra, Scriabin and Schnittke with the Royal Stockholm Philharmonic Orchestra, Brahms with the Staatsphilharmonie Rheinland-Pfalz plus Reger and Alan Pettersson with the Norrköping Symphony Orchestra. In Pettersson’s anniversary year he conducted the composer’s 7th symphony with the Royal Stockholm Philharmonic Orchestra and opened Turku’s year as European City of Culture in January 2011 with the Turku Philharmonic in a performance of Mahler’s 2nd Symphony.

Leif Segerstam has shown exceptional creativity as a composer throughout his career and currently written 294 symphonies, 29 string quartets, 11 violin and 4 piano concerti alongside chamber and vocal music, notably developing a free-pulsative style in Rosenkranz form for his later symphonies which are performed without conductor.

Leif Segerstam was proud to be Professor of Conducting at the Sibelius Academy in Helsinki for many years and several of his pupils now follow successful careers. He was awarded the 1999 Nordic Council Music Prize for his work “as a tireless champion of Scandinavian music” and the Swedish Cultural Foundation’s Prize for Music in 2003. In 2004 he was given the annual Finnish State Prize for Music and in 2005 the highly esteemed Sibelius Medal. Leif Segerstam is devoted to his five children and, currently, six grandchildren.