- 2018年04月21日 星期六 19:30
Xiaogang Ye: The Song of the Earth
Gustav Mahler: Das Lied von der Erde
Xiaogang Ye: The Song of the Earth
Yu Guanqun, soprano
Liao Changyong (or Yuan Chenye), baritone
Gustav Mahler: Das Lied von der Erde
Ildikó Komlósi, mezzo-soprano
Klaus Florian Vogt, tenor
Long Yu, conductor
Ildikó Komlósi, mezzo-soprano
Hungarian mezzosoprano Ildiko Komlosi studied music at the Franz Liszt Academy of Budapest and took part in the specialising courses of the Teatro alla Scala and Guildhall School of Music in London. She was the absolute winner of the Pavarotti International Competition in 1986 and debuted in Verdi's Messa da Requiem opposite Luciano Pavarotti and under the baton of Lorin Maazel.
She has subsequently started a successful career on the world's great stages: after her debut at the Frankfurt Staatsoper and at the Wiener Staatsoper, and in 1990 she sang in her first Teatro alla Scala production. During the following years she conquered north and South-America and the Far East. She is invited frequently to the greatest theatres of the world, Metropolitan Opera of New York, Covent Garden in London, Teatro La Scala in Milan, DeutscheOper Berlin, Munich, Tokyo, SempreOper in Dresden and other Italian theatres.
Among her last successes: a Zeffirelli production of Aida, opening title of the La Scala Season in 2006, an other great Aida in Covent Garden, directed by Robert Wilson and conducted by Antonio Pappano. In the last 5 years she has been invited every year to sing in the Arena di Verona in several roles Carmen, Amneris, Santuzza, Laura. In 2006 she has been awared together with Jose Cura with the Arena Award. In 2009 she sang Santuzza with great success in the Metropolitan. She continues to sing around the World, you can see her performing at any bigger festivals, and greater theatres, such as The Hungarian State Operahouse, Verbier Festival in 2016 at the Arena di Verona, and at the PROMS in London, or with the Boston Sypmhonic Orchestra in their hometown. Next project will be in Paris at Opera, with the new composition by Luca Francesconi, Tromp la Mort
Klaus Florian Vogt, tenor
Klaus Florian Vogt is one of the finest Wagner tenors of our times. His repertoire covers mostly dramatic roles such as Lohengrin, Parsifal, Stolzing and Siegmund, but also Florestan (Fidelio), Paul (Die tote Stadt) and Hoffmann (Les Contes d’Hoffmann). It extends furthermore to lyric-dramatic roles such as Erik (Der fliegende Holländer), Andrej (Chowanschtschina), Prinz (Rusalka), Bacchus (Ariadne auf Naxos) and Faust (La Damnation de Faust).
Klaus Florian Vogt is a much sought after guest at all major opera houses and at the Bayreuth and Salzburg Festivals. His career led him amongst others to Munich, Berlin, Hamburg, Paris, London, Barcelona, Vienna, Madrid, Milan, Toulouse, Helsinki, New York und Tokyo. 2005 saw his debut in Japan as Hoffmann (Les Contes d’Hoffmann), in 2006 he debuted as Lohengrin at the Metropolitan Opera in New York and in 2007 he sang for the first time at the Teatro alla Scala in Milan (Lohengrin), where he later returned as Florestan (Fidelio). He recently enjoyed great success as Lohengrin in a new production at the Vienna State Opera and could also be seen in the same production at the Zurich Opera House. In 2015 he sang an outstanding Paul in a new production of Die tote Stadt at Hamburg State Opera. In 2017 he will add the role of Tannhäuser to his repertoire, starring in a new production at the Munich State Opera.
In 2007 Klaus Florian Vogt gave a triumphal debut as Walther von Stolzing at the Bayreuth Festival in a new staging by Katharina Wagner of Die Meistersinger von Nürnberg. From 2011 to 2015 he achieved further notable success as Lohengrin in the staging by Hans Neuenfels. In 2016 the audience saw him in the titel role of a new production of Parsifal under the baton of Hartmut Haenchen. In 2017 he will perform Stolzing in an other new Bayreuth production of Die Meistersinger von Nürnberg, directed by Barry Kosky and conducted by Philippe Jordan.
Klaus Florian Vogt’s Lohengrin takes him to the most important stages all over the world. Currently no other tenor is as successful in the role of Wagner’s Knight of the Grail. As Lohengrin he has set artistic standards. He performed the role amongst others at the Teatro alla Scala in Milan, Metropolitan Opera New York, Vienna State Opera Zurich Opera, New National Theatre Tokyo, Munich State Opera, Deutsche Oper Berlin, Hamburg State Opera, the Easter Festival Baden-Baden and at the Bayreuth Festival.
The tenor has established his reputation also as a concert singer and a fine interpreter of Lied. His international recital career took him many times to Vienna, New York, London, Athens, Berlin, Leipzig as well as the Tanglewood Festival, the Grafenegg Festival and the Salzburg Festivals. His concert repertoire covers works by Mozart, Beethoven, Mahler, Verdi, Flotow und Wagner. He regularly appears with renowned orchestras such as the Gewandhausorchester Leipzig, the City of Birmingham Symphony Orchestra and the Concertgebouw Orchestra in Amsterdam and works with famous conductors such as Daniel Barenboim, Andris Nelsons, Mariss Jansons, Simone Young, Antonio Pappano and Kent Nagano.
Born in Holstein, in the North of Germany, Klaus Florian Vogt studied horn and played for several years with the Philharmonic State Orchestra Hamburg. Later he studied at the Conservatory in Lübeck and gave up his position as a horn player in the orchestra to become a tenor. He made his debut in Flensburg and then became a member of the company at the Opera in Dresden. Since 2003 he has been a freelance artist.
Klaus Florian Vogt has a comprehensive discography. Three solo CDs have been published at SONY Classical: „Heroes“ (2012, Orchestra Deutschen Oper Berlin, Peter Schneider), „Wagner“ (2013, Bamberg Symphony Orchestra, Jonathan Nott) and „Favorites“ (2014, Münchner Rundfunkorchester, Gerrit Prießnitz). In addition, the tenor has presented amongst others recordings of Korngold’s Die tote Stadt (Oper Frankfurt,Sebastian Weigle), a CD und DVD with hits from Berlin to Broadway co-starring Renée Flemming under the musical direction of Christian Thielemann and a complete recording of Lohengrin with the Rundfunk-Sinfonieorchester Berlin under Marek Janowski. The recording of Franz Schmidt’s Das Buch mit sieben Siegeln was released in January 2016.
In 2012 the artist was awarded the ECHO-Klassik as “artist of the year”.
Long Yu, Conductor
As one of the most distinguished Chinese conductors with an established international reputation, Maestro Long Yu is currently Artistic Director and Chief Conductor of the China Philharmonic Orchestra, Music Director of the Guangzhou Symphony Orchestra, Music Director of the Shanghai Symphony Orchestra, Artistic Director of the Beijing Music Festival and Music in the Summer Air, MISA, as well as Principle Guest Conductor of the Hong Kong Philharmonic Orchestra.
Long Yu is one of the conductors who conducts the world top-class orchestras most frequently, he has appeared with a prestigious list of leading orchestras and a lot of opera companies around the world, including the New York Philharmonic, Chicago Symphony Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic Orchestra, Montreal Symphony OrchestraWashington National Symphony, Cincinnati Symphony Orchestra, Orchestre de Paris, Bamberg Symphony Orchestra, Hamburg State Opera, Rundfunk-Sinfonieorchester Berlin, Rundfunk Sinfonie Orchester Leipzig, Munich Philharmonic Orchestra, Sydney Symphony Orchestra, BBC Symphony Orchestra, Toronto Symphony Orchestra, Hong Kong Philharmonic, Tokyo Philharmonic and Singapore Symphony Orchestra.
Long Yu was born in 1964 into a family of musicians in Shanghai. Musical education in his early childhood came from his grandfather Ding Shande, a composer of great renown, and he later studied at the Shanghai Conservatory with Professor Xiaotong Huang and then studied at the Hochschule der Künste in Berlin with Prof. Robinstein. Outstanding music talents, excellent educational background and extensive social resources make Long Yu a preeminent conductor.
Long Yu's career has included both artistic and administrative appointments. In 1992, he was appointed Principal Conductor of the Central Opera Theatre in Beijing, and in the same year, he was involved in the planning of the first Beijing New Year's Concert and served as its conductor for three consecutive years. He also produced operas for The Urban Council of Hong Kong for five successive years. In 1998, he led the creation of the Beijing Music Festival and was its Founding Artistic Director. Under his leadership the Beijing Music Festival is regarded as the largest classical music festival in the eastern hemisphere and one of the world’s most important music festivals. During the past 18 years at this annual autumn festival there have been many splendid concerts given by leading orchestras such as the Berlin Philharmonic and the New York Philharmonic, as well as outstanding productions of the Ring, Der Rosenkavalier, Tannhäuser, La Traviata, Nabucco, Lulu and Lady Macbeth of the Mtsensk District by visiting opera companies including the Deutsche Oper Berlin, the Teatro la Fenice and the Mariinsky Theatre.
In 2000, Long Yu co-founded the China Philharmonic Orchestra and was appointed Artistic Director and Chief Conductor. Now entering his 9th season with the China Philharmonic, he has maintained the high standard of orchestral performance and artistic administration and built the ensemble’s reputation as not only a leading Chinese orchestra but also a world-famous one. In 2003, Long Yu was appointed the Music Director of the Guangzhou Symphony Orchestra and he has been raising the level and fame of the orchestra rapidly. He toured extensively with the China Philharmonic Orchestra, the Guangzhou Symphony Orchestra as well as the Shanghai Symphony Orchestra. In September 2003, under his leadership, the China Philharmonic Orchestra toured Europe, with memorable concerts at the Palais Garnier, Paris, the Teatr Wielki - National Opera Warsaw and the Grosser Saal of the Musikverein, Vienna. In December of the same year he undertook a major European and Egyptian tour with the Guangzhou Symphony Orchestra and Mischa Maisky, giving concerts at Theatre des Champs-Élysées, Paris, Concertgebouw Amsterdam, Luxemburg, Cairo Opera House and Alexander Opera House. From February to April 2005, he led the China Philharmonic Orchestra on an international tour. Within 40 days they appeared in 22 cities throughout North America and Europe. In 2008, for the first time in history, the China Philharmonic Orchestra performed under the baton of maestro Long Yu at the Vatican in the Paul VI Auditorium. The concert was attended by The Holy Father Pope Benedict XVI and marked a giant step in bringing eastern and western cultures closer together. In April 2009 the China Philharmonic Orchestra was selected by the Gramophone, which is widely regarded as the best classical music magazine in the world, as one of "the world's 10 most inspiring orchestras". In November 2009 Long Yu led the Shanghai Symphony Orchestra on a twelve-city North American tour which is a huge success. The tour began with the closing concert of the Ancient Paths, Modern Voices Festival at Carnegie Hall and included concerts in Los Angeles, Toronto and San Diego. A New York Times report from November 9, 2009 gave an introduction to Long Yu's artistic achievement and hailed him as "China's Herbert von Karajan." In March 2010 Long Yu conducted the Shanghai Symphony Orchestra at the 14th Ludwig van Beethoven Easter Festival in Krakow and gave concerts in Warsaw and Lodz. All the performances won high praise from both audiences and critics. In 2011, Long Yu toured extensively with the China Philharmonic Orchestra in 8 cities in west coast of United States. In Chinese spring festival of 2012, Long Yu led the New York Philharmonic in the First Chinese New Year Concert at Avery Fisher Hall of Lincoln Center.
In July 2014, Long Yu conducted the CPO in the BBC Proms as the first orchestra from China to play in a world class music festival and the concert was highly praised by media and audience.
Maestro Long Yu's reputation has been enhanced by his activities as a widely admired and respected figure in administration of orchestras and festival as well as in international exchanging of musical culture. As a champion of contemporary music Long Yu has been commissioning a number of works from today’s prominent composers such as Krzysztof Penderecki, Philip Glass, Guo Wenjing, Tan Dun, Ye Xiaogang and Unsuk Chin.
Mr. Long Yu's recordings include, on Deutsche Grammophon with the China Philharmonic, Brahms's Piano Quartet in G Minor (orch. Arnold Schoenberg) and Wagner's Tannhäuser Overture, highlights of Chinese symphonic music and Yellow River Concerto with Lang Lang as featured soloist. Recordings on Naxos include Korngold's Violin Concerto and Ding Shande's Long March Symphony. In 2012 Long Yu lead the release of CPO Live a 100-CD box set of the live performances in the past music seasons of China Philharmonic Orchestra, as a milestone of both the development of Chinese symphony orchestras and the recording industry in China. In the summer of 2014 Long Yu conducted the CPO in a symphony film of the Chinese violin concerto The Butterfly Lovers as the first art film of classical music in China. In 2015 Long Yu conducted the CPO in another film The Yellow River.
Long Yu received the 2002 Montblanc Arts Patronage Award from the Montblanc Cultural Foundation, and in 2003 came Le grade de chevalier dans l'ordre des Arts et des Lettres (The Honor of Chevalier of French Art and Culture) from the Government of France. In 2005, Italian President honored Maestro Long Yu L'onorificenza di commendatore.
In November 2010, the Central Conservatory of Music has presented Maestro Long Yu with a certificate of the Honourable Academician from the Central Conservatory at a conference for 70th year anniversary of its founding, in recognition of his great contribution and devoted efforts to the development in classical music in China and cultural exchanges over the past decade. On December 2010, he was awarded People of the Year in Arts Field in China.
In 2013, Long Yu was awarded the national level arts award “China Arts Award”.
In 2014, Long Yu received the France Knight of Legion of Honour.
In 2015, Long Yu was named “Morally and Artistically Excellent Artist” by state authority. He was also awarded “Global Citizen Award” by the Atlantic Council, and the Sanford Medal by Yale University’s College of Music in 2015.
In April, 2016, Long Yu was elected as a Foreign Honorary Member of the American Academy of Arts and Sciences.
In June, 2016, Long Yu received German’s Federal Cross of Merit.
Long Yu is currently Vice-president of Chinese Musicians Association, member of the 11th and 12th the National Committee of the Chinese People's Political Consultative Conference.