纪念玛丽亚·卡拉丝逝世40周年——张立萍专场音乐会

  • 2017年02月23日 星期四 19:30
  • 购票指南北京音乐厅

导赏这是一台纪念玛丽亚·卡拉丝逝世40年的专题音乐会。


纪念玛丽亚·卡拉丝逝世40周年



上半场

焦阿基诺·罗西尼:《塞维利亚的理发师》序曲

焦阿基诺·罗西尼:“我听到美妙的歌声”,选自《塞维利亚的理发师》

小约翰·施特劳斯:《吉普赛男爵》序曲

莱茵霍尔德·格里埃尔:F小调为花腔女高音与乐队所作的协奏曲,作品82

下半场

皮耶特罗·马斯卡尼:前奏曲,选自《乡村骑士》

鲁杰罗·莱翁卡瓦洛:间奏曲,选自《丑角》

贾科莫·普契尼:“为了艺术,为了爱情”,选自《托斯卡》

文琴佐·贝里尼:“圣洁的女神”,选自《诺尔玛》

朱塞佩·威尔第:前奏曲,选自《茶花女》

朱塞佩·威尔第:  “他也许是我渴望见到的人……永远自由”,选自《茶花女》


女高音:张立萍



女高音歌唱家张立萍以其美声和抒情曲目的完美演绎,成功跻身于国际著名声乐艺术家的行列,在英国皇家歌剧院科文特花园、美国纽约大都会歌剧院、巴伐利亚国家歌剧院、德国柏林歌剧院、帕尔玛皇家歌剧院、巴黎国家歌剧院、巴塞罗那歌剧院和中国国家大剧院担当过主演。

凭借对“蝴蝶夫人”一角的出色诠释,张立萍赢得了国际歌剧界的关注,她先后在科文特花园、纽约大都会歌剧院、巴黎国家歌剧院、帕尔玛皇家歌剧院和柏林歌剧院演出过这一角色。此外她所饰演的诸多角色都为其赢得了全球观众的喜爱,包括《茶花女》中的维奥莱塔、《拉美莫尔的露琪亚》中的露琪亚、《波希米亚人》中的咪咪、《图兰朵》中的柳儿、《卡门》中的米卡埃拉、《弄臣》中的吉尔达和《游唱诗人》中的利奥诺拉。在中国,张立萍的诸多演出如中国原创歌剧《西施》、首届国家大剧院歌剧节上的《托斯卡》和洛林·马泽尔指挥的新版歌剧《茶花女》也广受赞誉。

2010年张立萍作为嘉宾应邀观看了安德鲁·劳埃德·韦伯新音乐剧《真爱不死》在伦敦的首演。随后她受邀录制了中文版的主题曲,并由环球音乐发行。


指挥:杨洋

杨洋生于音乐世家,自幼学习钢琴,师从钢琴教育家李其芳教授。后随徐新、吴玲芬教授学习指挥,并以优异成绩考入中央音乐学院指挥系,师从俞峰教授。

2006年11月,在希腊举行的迪米特里·米特罗普洛斯国际指挥大赛中,杨洋以出色的表现和无可争议的优势一举夺得第一名,成为在这项顶级国际大赛中首位获此殊荣的中国指挥。

作为中国最活跃的指挥家之一,杨洋与国内所有主流乐团及歌剧院均保持着密切的合作关系。同时在包括德国科隆爱乐乐团、斯图加特爱乐乐团、莱茵国立爱乐乐团、意大利罗马交响乐团、维罗纳歌剧院、法国戛纳交响乐团、波尔多交响乐团、希腊交响乐团、雅典室内乐团、韩国仁川爱乐乐团等在内的国外众多乐团也成功的留下了他的足迹。世界著名大提琴家林·哈雷尔、阿尔本·格哈德,小提琴家奥古斯汀·杜梅、雷纳德·卡皮松、林昭亮,钢琴家郎朗、巴瑞·道格拉斯、白建宇,女高音曹秀美,单簧管演奏家萨宾娜·迈耶等都与他有过精诚的合作。

1998年杨洋在第一届北京国际音乐节上成功的开始了他的职业指挥生涯,并连续八届在北京国际音乐节上执棒歌剧与音乐会。2000年-2005年任中国爱乐乐团助理指挥。2006年赴韩国参加由指挥大师郑明勋主持的大师班。2009年,他参与并主持组建了杭州爱乐乐团。

从2009-2012年,杨洋已率领杭州爱乐乐团出色的完成了三个音乐季近200场的演出。根据杭州市委、市政府的文化发展要求,在他的策划和推动下,杭州爱乐乐团与德国柏林爱乐乐团和意大利佛罗伦萨歌剧院建立了长期战略与合作伙伴的关系,成功引入和引进了演奏家交流计划、定向人才培养计划和歌剧合作机制,使杭州爱乐乐团这支年轻的乐团能够迅速的走向职业化并与国际成功接轨。短短三年时间,杨洋与杭州爱乐乐团已经成功的在德国梅克伦堡音乐节、石荷州音乐节、意大利拉维罗音乐节、艾米莉亚·罗马涅音乐节、陶尔米纳音乐节、斯洛伐克卢布尔雅那音乐节等欧洲著名音乐节登台亮相,赢得了欧洲观众的喝彩及国内外业界的高度评价与关注。

杨洋现任杭州爱乐乐团音乐总监兼首席指挥。



 

Zhang Liping, soprano

A series of outstanding interpretations in both the bel canto and lyric repertoire have established Liping Zhang as one of opera’s leading international sopranos, with engagements at the Royal Opera Covent Garden, The Metropolitan Opera New York, Bayerische Staatsoper, Deutsche Oper Berlin, Teatro Regio di Parma, Opéra de Paris, Gran Teatre del Liceu Barcelona, and the National Centre for the Performing Arts (NCPA). 

Zhang came to international attention in the role of Cio-Cio-San, which she has sung at Covent Garden, the MET Opera, Opera de Paris, Gran Teatro del Liceu Barcelona and Deutsche Oper Berlin, amongst other theatres. She also enthralled audiences around the globe with other significant opera roles such as Violetta (La Traviata), Lucia (Lucia di Lammermoor), Mimi (La Bohème), Tosca, Liù (Turandot), Micaela (Carmen), Gilda (Rigoletto) and Leonore (Il Trovatore). In her native country, Zhang has given many highly acclaimed performances such as the premiere of Chinese original opera Xi Shi, Tosca in the first NCPA Opera Festival and La Traviata conducted by Lorin Maazel.

In 2010, Zhang was invited by Andrew Lloyd Webber to the premiere of his new musical, Love Never Dies in London. She was then invited to record the Chinese version of the musical’s theme song in the Asian edition released by Universal Music Group. 

In 2011, Zhang returned to The Met Opera in the performance of Madama Butterfly invited by Plácido Domingo. In 2012, Zhang’s performance as Cio-Cio-San at Madama Butterfly at Covent Garden was recorded in 3D for transmission in theatres worldwide and for distribution on DVD. The movie was premiered in Europe and America and was then launched in 3D cinemas all over the world.

In 2014, Liping Zhang signs an exclusive contract with Universal Music. As the label's first Chinese classical singer, she has released a Schubert lieder album “Night and Dreams” under Decca Classics in October 2014.

In 2015, Liping Zhang released “Chinese art songs”. 

In 2016, Liping Zhang holds solo concert in National Central for the Performing Arts.

Forthcoming recording projects include opera arias by Verdi.

Zhang is currently the Head of the Vocal Opera Department of Central Conservatory of Music in Beijing.



Yang Yang, conductor

Yang Yang, born into a musical family, learned piano with Professor Qifang Li. Later, he learned conducting respectively with Professor Xin Xu and Lingfen Wu, and then was admitted to the Conducting Department of Central Conservatory of Music, being one of the students of Professor Feng Yu. 


In November 2006, he won the first place for his outstanding performance at the Dimitris Mitropoulos International Competition for Orchestral Conducting in Greece. It is the first time for the Chinese conductors to have such honor.   


As one of the most active young conductors in China, Yang Yang has maintained close partnership with all domestically and internationally mainstream orchestras and opera houses. Meanwhile, he has successfully left tracks at a host of foreign orchestras such as German Philharmonic Orchestra of Cologne, Stuttgarter Philharmoniker, National Rhine Philharmonic Orchestra, Italian Rome Philharmonic Orchestra and Verona Opera House, French Cannes Symphony Orchestra and Bordeaux Symphony Orchestra, Greek Symphony Orchestra, Athenian Chamber Orchestra and Korean Incheon Philharmonic. He had sincere cooperation with such world famous musicians as cellist Lynn Harrell, Alban Gerhard, violinist Augustin Dumay, Lenard Karpison, Zhaoliang Lin, pianist Lang Lang, Barry Douglas, Kun-Woo Paik, soprano Xiumei Cao, clarinetist Sabine Meyer, etc. 


In the year of 1998, at the First Beijing International Music Festival, Yang yang started his conducting career. In the following seven years, he conducted the operas and concerts at the same festival. From 2000 to 2005, Yang Yang held the position as the Assistant Conductor for China Philharmonic Orchestra. In 2006 Yang Yang attended an advanced training course hosted by Myung Whun Chung, a Korean conducting master, in Korea. In 2009, he was involved in founding of Hangzhou Philharmonic Orchestra.


From 2009 to 2012, Yang Yang had conducted Hangzhou Philharmonic Orchestra for nearly 200 splendid concerts in three seasons. According to the demand of CPC Hangzhou Municipal Committee and Hangzhou Municipal People’s Government to develop the culture and with Yang Yang’s planning and devotion, Hangzhou Philharmonic Orchestra had founded a long term strategic and cooperative partnership with Germany Berlin Philharmonic and Italian Florence Opera House, and been growing fast in professionalism and internationality by introducing Musician Exchange Plan, Talents Oriented Training plan and Opera Cooperation System. In three years, Yang Yang and Hangzhou Philharmonic Orchestra had successfully appeared in Mecklenburg-Vorpommern Festival, Schleswig-Holstein Musik Festival, Ravello Festival, Emilia Romagna Festival, Taormina Festival, Ljubljana Festival, and won great applause and high evaluation. 


Yang Yang is Artist Director and Chief Conductor of Hangzhou Philharmonic Orchestra.