交响音乐会

  • 2017年01月14日 星期六 19:30
  • 购票指南中山公园音乐堂

导赏阿尔班·贝尔格的小提琴协奏曲是受美国小提琴家路易斯·克拉斯纳委约创作的,不过作曲家一度由于忙于歌剧《璐璐》的创作,而无暇顾及小提琴协奏曲的创作。但阿尔玛·马勒18岁的女儿曼侬·格罗皮乌斯的离世让作曲家受到了巨大的触动,他在短短的几个月内便将作品完成,并为这部两乐章的作品取了一个别致的名字:纪念一位天使。这部作品上演频率颇高,与作曲家的歌剧《沃采克》,并列为这位维也纳第二学派旗帜性人物的最为著名的作品。

下半场演出的作品是俄罗斯作曲家拉赫玛尼诺夫的第一交响曲。有一种说法,这部由格拉祖诺夫指挥首演的交响曲是题献给一位名叫安娜·洛季任斯卡娅(AL)的吉普赛姑娘。由于这两位姑娘的存在,使得两部看似并无交集的作品顿时变得有趣起来。(周伟,“舞台与生活”网站运营总监)



交响音乐会



阿尔班·贝尔格:小提琴协奏曲

中场休息

谢尔盖·拉赫玛尼诺夫:D小调第一交响曲,作品13


小提琴:奥古斯丁·杜梅

指挥:黄屹


奥古斯丁·杜梅   小提琴

奥古斯汀·杜梅是最引人注目的欧洲古典音乐传统继承者之一,国际评论界将他与许多20世纪的小提琴巨匠们相提并论,《国际钢琴》杂志评价DG发行的他与玛利亚·芝奥·皮耶斯演奏的贝多芬小提琴奏鸣曲全集“完全可以比肩格鲁米欧与哈斯基尔、梅纽因与肯普夫、帕尔曼与阿什肯纳齐等巨匠们的录音”。《古典音乐CD》杂志评价他对勃拉姆斯三重奏的演绎“体现出了他对米尔斯坦的传承”;与萨尔茨堡莫扎特室内乐团演奏的莫扎特小提琴协奏曲“完全是历来最优秀的录音版本之一”。《古典音乐》杂志称赞他的莫扎特小提琴协奏曲录音“确立了他是同斯特恩或格鲁米欧一样杰出的莫扎特诠释者”。

杜梅最初能得到广泛的注意得益于赫伯特·冯·卡拉扬的提携,他曾在十分年轻之时便与柏林爱乐乐团合作演出,并在EMI录制了门德尔松、柴可夫斯基、圣-桑、拉罗等作曲家的小提琴协奏曲。在此之后他几乎与这个时代所有最优秀的指挥家和交响乐团进行过合作。

除却小提琴家的身份之外,在过去十年间杜梅作为指挥家也开始受到广泛认可和欢迎,自2003年以来他一直担任位于比利时的瓦隆皇家室内乐团的音乐总监,2011年日本大阪的关西爱乐乐团任命他为音乐总监,他还经常应邀指挥英国室内乐团、新泽西交响乐团和华沙交响乐团进行演出。

自2004年以来杜梅担任布鲁塞尔伊丽莎白女王音乐学院的驻院大师,负责培养一批经过特殊选拔的小提琴天才少年,这些学生之中已有不少人在国际大赛上取得了优异的成绩。

杜梅为EMI、DG、Onyx等唱片公司一共录制了四十多张唱片,几乎所有唱片都获得过重量级的奖项,包括留声机大奖、《音响爱好者》杂志奖、德国唱片评论家大奖、法国唱片大奖、唱片学院奖等。曾执导过《钢琴课》、《绝代妖姬》的导演热拉尔·科比欧拍摄过一部关于杜梅的纪录片《奥古斯汀·杜梅:心之留痕》。

他指挥关西爱乐乐团为Onyx公司录制了一张圣-桑作品的唱片,并且同钢琴家路易斯·洛特合作录制了弗朗克以及理查·施特劳斯的小提琴奏鸣曲,《斯特拉迪瓦里》杂志评价他在这张唱片中的表现“无疑证明了他是当今最好的小提琴家之一”。他的最新一张唱片于2013年秋天发行,他作为指挥和小提琴独奏与关西爱乐乐团演绎了勃拉姆斯第一小夜曲和贝多芬的两首浪漫曲。在未来他还将与蒙特利尔交响乐团、马勒室内乐团、华沙交响乐团和奥菲斯交响乐团合作录制新的唱片,曲目包括了巴托克、勃拉姆斯、贝多芬、圣-桑和门德尔松等作曲家的协奏曲作品。

杜梅曾先后于2006年和2008年两度同中国爱乐乐团合作。在2006年,他与余隆指挥的中国爱乐乐团演绎了小提琴协奏曲《梁山伯与祝英台》,西方小提琴大师演绎这部东方名作成为一时之话题,而在2008年他更身兼指挥家和小提琴演奏家双重身份与中国爱乐乐团上演了贝多芬第一小提琴浪漫曲、舒伯特第五交响曲和门德尔松E小调小提琴协奏曲,这场音乐会也是中国爱乐乐团2007-2008音乐季的闭幕音乐会。

奥古斯丁·杜梅曾多次与中国爱乐乐团合作。2014年11月8日的音乐季交响音乐会上,杜梅身兼小提琴独奏与指挥两职,演奏了莫扎特与贝多芬的音乐作品。


黄屹   指挥

黄屹是当今国际乐坛最受瞩目的青年指挥家之一。现任中国爱乐乐团助理指挥、昆明聂耳交响乐团首任艺术总监。

2006年以优异的成绩考入中央音乐学院指挥系,师从杨力教授。2007年起师从著名指挥家俞峰教授。

2009年,通过世界著名指挥大师小泽征尔先生的亲自选拔,成为其音乐助理。

2010年,以优异的成绩被中央音乐学院指挥系保送免考成为硕士研究生。

2011年以专业第一名考入德国柏林音乐学院(Hochschule für Musik "Hanns Eisler"),师从交响乐教授克里斯蒂安 艾华德(Christian Ehwald),歌剧教授汉斯迪特 鲍姆(Hans-Dieter Baum )学习。

2012年,在第15届北京国际音乐节成功执棒中国爱乐乐团演出歌剧《原野》。

2013年,作为世界著名指挥家克里斯蒂安 蒂勒曼(Christian Thielemann)的助理指挥,参与2013年萨尔茨堡复活节音乐节歌剧《帕西法尔》的排练及演出。

2013年,作为指挥家古斯塔夫 库恩(Gustav Kuhn)的助理指挥,参与排练及演出了第16届北京国际音乐节闭幕音乐会——中国首演的瓦格纳歌剧《帕西法尔》。

2015年,与上海交响乐团在上海夏季音乐节闭幕音乐会中担任《乒乓协奏曲》的世界首演指挥。

曾执棒德国柏林音乐厅管弦乐团、德国法兰克福交响乐团、德国勃兰登堡交响乐团、德国新勃兰登堡交响乐团、小泽征尔音乐塾管弦乐团、韩国釜山爱乐乐团、中国爱乐乐团、上海交响乐团、广州交响乐团、中国歌剧舞剧院交响乐团、杭州爱乐乐团、贵阳交响乐团、陕西爱乐乐团、中国少年交响乐团、昆明聂耳交响乐团、福建交响乐团、澳门青年交响乐团、中国广播电影交响乐团等。

近年来,与歌唱家戴玉强、魏松、莫华伦、张立萍、袁晨野、梁宁、张建一、沈洋、演奏家艾丽森 巴尔松、张昊辰、文薇、王之炅、黄蒙拉、杨雪霏等有过成功合作。


Alban Berg Violin Concerto

Intermission

Sergei Rachmaninoff Symphony No. 1 in D minor, Op. 13


Augustin Dumay, violin

Huang Yi, conductor



Augustin Dumay, violin

Augustin Dumay is one of the most striking representatives of the great European classical tradition. International critics compare him to the great violinists of the 20th century and his distinctive position as “a great classical stylist” is corroborated by outstanding recordings for Deutsche Grammophon: Beethoven’s complete sonatas with Maria João Pires that “surely ranks with Grumiaux-Haskil, Menuhin-Kempff, or Perlman-Ashkenazy” (Piano International), Brahms’ trios in which “the Milstein legacy in Dumay’s playing is wonderfully apparent” and also Mozart’s concertos with the Camerata Salzburg “without exaggeration one of the finest Mozart violin concerto discs ever made” (Classic CD) in which he “confirms that he is an exceptional interpreter of Mozart as were Stern or Grumiaux before him” (Classica).


Augustin Dumay was first discovered by the public thanks to his meeting with Herbert von Karajan, his concerts with the Berliner Philharmoniker and his recordings for EMI (Concertos by Mendelssohn, Tchaikovsky, Saint-Saëns and Lalo). Subsequently he performed regularly with the best orchestras in the world under the direction of the greatest conductors of our times.


Over the last ten years, in parallel to his international career as a violinist, he is increasingly sought after as a conductor. In addition to his position as Musical Director of the Royal Chamber Orchestra of Wallonia (Belgium), which he has held since 2003, he was appointed Musical Director of the Kansai Philharmonic Orchestra (Osaka, Japan) in 2011. He is regularly invited to conduct orchestras such as the English Chamber Orchestra, New Jersey Symphony Orchestra or Sinfonia Varsovia.


Since 2004, he has been a Master in Residence at the Queen Elisabeth Music Chapel (Brussels) where he coaches a select group of highly talented, young violinists, most of whom have seen success in the main international competitions.


The film-maker Gérard Corbiau (Le Maître de Musique, Farinelli) made a documentary film about him – Augustin Dumay, laisser une trace dans le coeur.

His discography – some forty recordings of which most have received prestigious awards (Gramophone Awards, Audiophile Audition, Preis der deutschen Schallplattenkritik, Grand Prix du Disque, The Record Academy Award) – is available under the EMI, Deutsche Grammophon and Onyx Classic labels.


Conducting the Kansai Philharmonic Orchestra (KPO) he has recorded a Saint-Saëns CD for Onyx and, together with the pianist Louis Lortie, the album Franck & Strauss Violin Sonatas by “one of today’s great violinists” (The Strad). His last CD as a soloist and conductor of the KPO (Brahms’ Serenade no.1 and Beethoven’s Romances) was launched in the autumn of 2013.


His next recordings will be devoted to the Bartók, Brahms, Beethoven, Saint-Saëns and Mendelssohn concertos with the Montreal Symphony Orchestra, Mahler Chamber Orchestra, Sinfonia Varsovia and Orpheus Chamber Orchestra.


In 2006 Dumay appeared in the China Philharmonic Orchestra’s season for the first time. As the soloist he played The Violin Concert Butterfly Love and other works with the CPO under the conducting of Long Yu. In 2008 he played with the CPO both as conductor and soloist, which also was the closing concert for the Season 2007-2008.


Frequently collaborating with the China Philharmonic Orchestra, Augustin Dumay both played violin and conducted during his last appearance on November 8, 2014 featured compositions of Mozart and Beethoven.



Huang Yi, conductor

Mr. Huang Yi is an extraordinary young Chinese conductor. He is currently assistant conductor of China Philharmonic Orchestra, and the first artistic director of Kunming Nie’er Symphony Orchestra. 


Mr. Huang was admitted into the Faculty of Conducting of China’s Central Conservatory of Music (CCM) with excellent academic scores in 2006, under the instruction of Professor Yang Li. From 2007 on, Mr. Huang has been instructed by noted conductor Professor Yu Feng.

 

In 2009, he was handpicked by the world renowned conductor Seiji Ozawa as his music assistant.

 

In 2010, Mr. Huang proudly became a recommended student for the Postgraduate Program of the Conservatory with an authorized waiver of the Entrance Exam.

 

In 2011, he admitted to Hochschule für Musik "Hanns Eisler" Berlin in first class for master study majored in conducting, following Professor Christian Ehwald and Professor Hans-Dieter Baum.

 

In 2012, conducting China Philharmonic Orchestra at the 15th Beijing Music Festival's new production of the Chinese Opera “The Savage Land.”

 

In 2013, as assistant conductor at the 16th Beijing Music Festival co-production with Salzburg Easter Festival of the “Parsifal”.


In 2015, he conducted Ping Pang Concerto with Shanghai Symphony Orchestra in the closing ceremony of Shanghai MISA.


Mr. Huang has conducted Konzerthausorchester Berlin, Frankfurt Symphony Orchestra, Brandenburg Symphony Orchestra, New Brandenburg Symphony Orchestra, Seiji Ozawa Ongaku-Juku Symphony Orchestra, Busan Philharmonic Orchestra of Korea, China Philharmonic Orchestra, Shanghai Symphony Orchestra, Guangzhou Symphony Orchestra, China Song and Dance Troupe Symphony Orchestra. Hangzhou Philharmonic Orchestra, Guiyang Symphony Orchestra, Shaanxi Philharmonic Orchestra, Fujian Symphony Orchestra, Macao Youth Symphony Orchestra, China Juvenile Symphony Orchestra, Kunming Nier Symphony Orchestra, China Film Symphony Orchestra, etc.

 

Recently, Mr. Huang has collaborated with the famous Chinese tenors Yuqiang dai, Song Wei, Warren Mok, Jianyi Zhang;  soprano Liping Zhang; baritone Chenyan Yuan, mezzo-soprano Ning Liang, bass-baritone Shen Yang, pianist Haochen Zhang; trumpet soloist Alison Balsom; Violinist Mengla Huang, Zhi-Jong Wang, Wei Wen and guitarist Xuefei Yang.